UPCOMING
Mary Bucci McCoy: New Paintings
curated by James Montford
September 9–30, 2010
Opening reception: Thursday, September 9, 5–8pm
Providence Gallery Night reception: Thursday, September 16
Hall Space Gallery
Roberts Hall (Central Campus)
Rhode Island College
600 Mount Pleasant Avenue
Providence, RI
401.456.9765
www.ric.edu/bannister
Works in exhibit:
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| Wish |
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Sleeper |
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Ever |
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Twenty10
Annual Members' Show
shift
September 1–26, 2010
Opening reception: Friday, September 10, 5–7:30pm
(note: I will not be at the reception)
Kingston Gallery
450 Harrison Avenue, #43
Boston, MA 02118
617.423.4113
www.kingstongallery.com
Papyrus
Susan Belle, Mary Bucci McCoy, Edda Hansen, Mathilde Roussel-Giroudy
curated by Chiharu Aizawa
 
September 17 – November 21, 2010
Opening reception: Friday, September 17, 6–9pm
AG Gallery
107-A North 3rd Street
Williamburg, Brooklyn, NY 11211
Works in exhibit:
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| close by |
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around |
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| sinking in |
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about |
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once, again |
Mary Bucci McCoy: New Work
Trace
December 1, 2010 – January 2, 2011
Opening reception: Friday, December 3, 5–7:30pm
Kingston Gallery
450 Harrison Avenue, #43
Boston, MA 02118
617.423.4113
www.kingstongallery.com
Dialogue
Members and Invited Guests
January 2010
Kingston Gallery
450 Harrison Avenue, #43
Boston, MA 02118
617.423.4113
www.kingstongallery.com
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RECENT
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This Collective Pull: A Mass Collaboration
February 6–28, 2010
work by 16 Massachusetts artists
fivesevendelle
57 Delle Avenue
Boston, MA
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Mary Bucci McCoy: Paintings
January 6–31, 2010
   
Kingston Gallery
450 Harrison Avenue, #43
Boston, MA 02118
617.423.4113
www.kingstongallery.com
View slide show of works in exhibit
"It's easy to get intimidated by Mary Bucci McCoy's artist statement — there's a poem in French, free use of the backslash, and we think we caught the word 'dialectical' in there somewhere. Her work itself, on the other hand — elevated or impressed blocks painted with minimalist abstractions — is warm and inviting, to the point that you'll be tempted to touch the thick splotches of paint. Must be that dialectic or sumthin'. After a few sips of wine and the welcoming atmosphere of the Kingston Gallery, you'll be nodding at that art like your B.A. was worth a damn."
— Weekly Dig, 12.23.09–1.6.10
Download Press Release
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The Algorithms of Art
Diane Ayott, Meghan Brady, Karen Dow, Anne Krinsky, Mary Bucci McCoy,
Dorothea Rockburne, Craig Stockwell, and Joan Waltemath
curated by Debbie Disston, Director, The McIninch Gallery
January 19 – February 15, 2009
The McIninch Gallery
Robert Frost Hall, 1st Floor
Southern New Hampshire University
2500 N. River Road
Manchester, NH 03106
800.668.1249
www.snhu.edu/art
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View slide show
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September 2 – October 16, 2008
McCoy Gallery
Rogers Center for the Arts
Merrimack College
315 Turnpike Street
North Andover, MA
978.837.5000
www.merrimack.edu
Review: Anne Krinsky, "Diane Ayott, Mary Bucci McCoy, and Rose Olson:
Consequences of Geometry", Art New England, Dec/Jan 2009
"Bucci McCoy's acrylics on wood conflate the sensuality of paint and flesh...The thoroughly nonobjective Hot Melt, and eight-inch square pinkish panel, improbably invokes a Tom Wesselmann nude."
Read full review >
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December 16, 2007 –
February 24, 2008
The Art Complex Museum
189 Alden Street
Box 2814
Duxbury, MA 02331
www.artcomplex.org
Download .pdf
of exhibit brochure (512 Kb) |
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In Substance
new work by Mary Bucci McCoy
works on mdf + site-specific wall drawing
June 2 – July 7, 2007
Artists Foundation
@ The Distillery, Main Gallery
516 East Second Street
South Boston, MA 02127
www.artistsfoundation.org
This exhibit included the first four works of the Élan vital series on one wall, and on the opposite wall Core and Periphery. On the center wall was a 88 x 110" site specific wall drawing, Light/White Investigation No. 1 (see installation slide show below). This piece — incorporating latex paint, the gallery lighting, marker, acrylic paint, and a spherical map pin — was created over the course of a week in response to the work on either side. |
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View installation slide show
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Industrial Strength
three person exhibit curated by Kathleen Bitetti
January 10 – February 15, 2007
Lillian Immig Gallery
Emmanuel College
Boston, MA
"...these three artists represent some of the most interesting conceptual reasoning as to why they are using these materials. They are masterfully using these materials to comment on and question such relevant issues as gender roles, contemporary popular culture, war, the unrelenting discussion of craft vs. fine art, and/or the age old question of what differentiates a 2-d work from a 3-d work. Geometry and geometric shapes, as well as references to history of abstraction, are also present in all of their works.
Mary Bucci McCoy, who works primarily in 2-d, is showing selections from two series of work: her 2006 Roundelay series and her 2005 Oblique Derivation series. ... Bucci McCoy’s minimal based-works celebrate the MDF material and she brilliantly uses the material’s organic color as the dominant color..."
—excerpt from exhibition essay by curator Kathleen Bitetti
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Mary Bucci McCoy: Oblique Perspectives
Works on mdf and paper
October 10–27, 2005
Carol Schlosberg Alumni Gallery, Montserrat College of Art
23 Essex Street, Beverly, MA
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