MARY BUCCI MCCOY
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UPCOMING


Mary Bucci McCoy: Manifest

February 29 – April 2, 2012

Opening reception: Friday, March 2, 5:30–8 pm

Kingston Gallery
450 Harrison Avenue, #43
Boston, MA

www.kingstongallery.com


Lisa Russell & Mary Bucci McCoy: Distillation

April 5–25, 2012

Opening Reception: Thursday, April 5, 5–8 pm

Bannister Gallery
Rhode Island College
600 Mount Pleaseant Avenue
Providence, RI



RECENT


 

Still
Annual Members Exhibit

Sleeper

August 31 – October 2, 2011


Kingston Gallery
450 Harrison Avenue, #43
Boston, MA 02118
617.423.4113

www.kingstongallery.com


 

22 Artists

A Street Exhibit

A Street Gallery
4 Clarendon Street
Boston, MA

June 4–30, 2011

Hours: Tu–Sat 10–6; Th 11–7


Seeing in Color
Diane Ayott, Mary Bucci McCoy, Rose Olson, Catalina Viejo Lopez De Roda, Kellie Weeks

curated by Setheyny Pen


So ClosespacerSleeperspacerSince


March 10 – April 2, 2011

119 Gallery
119 Chelmsford Street
Lowell, MA
www.119gallery.org



Dialogues
Gallery Artists and Invited Guests

Dialogues Installation View
left: David McCoy — Wave 3
right: Mary Bucci McCoy — Wish
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January 5–30, 2011

Kingston Gallery
450 Harrison Avenue, #43
Boston, MA 02118
617.423.4113

www.kingstongallery.com


Mary Bucci McCoy: Trace

Trace

December 1, 2010 – January 2, 2011

Kingston Gallery (Back Gallery)

450 Harrison Avenue, #43
Boston, MA 02118
617.423.4113

www.kingstongallery.com

"This small exhibition of paintings and works on paper by Mary Bucci McCoy offers an intimate engagement with works that are
deceptively modest in their size and apparent lack of painting complexity. Bucci McCoy is becoming an increasingly important
intellectual and artistic presence in Boston..."
— David Raymond, Art New England


Read the Nov/Dec 2010 Art New England review by David Raymond

Read the Dec. 17, 2010 Making the Art Seen profile of Mary

Trace installation viewspacerTrace installation view

Works in exhibit (click images to view enlargements):

Verge spacer Trace
Verge, acrylic on panel, 24 x 24 x 1.5", 2010 Trace, acrylic on plywood panel, 8 x 8 x 3.5", 2010



up, away spacer early on spacer stream
up, away, acrylic on kozo paper,
9.5 x 10.75", 2010
early on, acrylic on kozo paper,
9.5 x 10.75", 2010
stream, acrylic on Okawara paper,
12 x 17", 2010




Papyrus

curated by Chiharu Aizawa


Papyrus card Papyrus images

September 17 – November 21, 2010

AG Gallery
107-A North 3rd Street
Williamburg, Brooklyn, NY 11211

 


Mary Bucci McCoy: New Paintings

curated by James Montford

"The Bannister’s hallway gallery features Massachusetts painter Mary Bucci McCoy (who teaches at Montserrat College of Art in Massachusetts, where I also happen to teach). She paints acrylic abstractions in moody, narrow ranges of color. For example, So Close (2008) features single daubs of olive green, hot orange, and burgundy on a creamy, rusty pink ground. It’s hyper-conscious, precise action painting — registering the difference between oval daubs and rectangular daubs, between a thinly painted oval and a carefully controlled glop. This carefully considered messiness can feel a might bit finicky, but often it feels just right."

— Greg Cook, "Review: 'Our Founders' at the Pac, and 'New Mastery' at RIC", The Providence Phoenix, September 22, 2010

RIC exhibit card


September 9 – October 28, 2010


Hall Space Gallery
Roberts Hall (Central Campus)
Rhode Island College
600 Mount Pleasant Avenue
Providence, RI
401.456.9765

www.ric.edu/bannister





Twenty10
Annual Members' Show

shift
shift

September 1–26, 2010


Kingston Gallery
450 Harrison Avenue, #43
Boston, MA 02118
617.423.4113

www.kingstongallery.com




This Collective Pull: A Mass Collaboration
work by 16 Massachusetts artists

February 6–28, 2010

fivesevendelle Project Space
57 Delle Avenue
Boston, MA
www.fivesevendelle.com





Mary Bucci McCoy: Paintings

At OncespacerSo Closespacerfadespacersee through


January 6–31, 2010


Kingston Gallery

450 Harrison Avenue, #43
Boston, MA 02118
617.423.4113

www.kingstongallery.com

View slide show of works in exhibit

"It's easy to get intimidated by Mary Bucci McCoy's artist statement — there's a poem in French, free use of the backslash, and we think we caught the word 'dialectical' in there somewhere. Her work itself, on the other hand — elevated or impressed blocks painted with minimalist abstractions — is warm and inviting, to the point that you'll be tempted to touch the thick splotches of paint. Must be that dialectic or sumthin'. After a few sips of wine and the welcoming atmosphere of the Kingston Gallery, you'll be nodding at that art like your B.A. was worth a damn."
Weekly Dig, 12.23.09–1.6.10

Download Press Release





The Algorithms of Art

curated by Debbie Disston, Director, The McIninch Gallery

January 19 – February 15, 2009

The McIninch Gallery
Robert Frost Hall, 1st Floor
Southern New Hampshire University
2500 N. River Road
Manchester, NH 03106
800.668.1249

www.snhu.edu/art



Consequences of Geometry



intro image

View slide show

 

 

September 2 – October 16, 2008

McCoy Gallery
Rogers Center for the Arts
Merrimack College
315 Turnpike Street
North Andover, MA
978.837.5000

www.merrimack.edu

Review: Anne Krinsky, "Diane Ayott, Mary Bucci McCoy, and Rose Olson:
Consequences of Geometry", Art New England, Dec/Jan 2009

"Bucci McCoy's acrylics on wood conflate the sensuality of paint and flesh...The thoroughly nonobjective Hot Melt, and eight-inch square pinkish panel, improbably invokes a Tom Wesselmann nude."

Read full review >

 



Consequences CoG Installation

 


December 16, 2007 –
February 24, 2008

The Art Complex Museum
189 Alden Street
Box 2814
Duxbury, MA 02331

www.artcomplex.org



Download .pdf
of exhibit brochure (512 Kb)






In Substance
new work by Mary Bucci McCoy

works on mdf + site-specific wall drawing

June 2 – July 7, 2007

Artists Foundation
@ The Distillery, Main Gallery
516 East Second Street
South Boston, MA 02127

www.artistsfoundation.org

This exhibit included the first four works of the Élan vital series on one wall, and on the opposite wall Core and Periphery. On the center wall was a 88 x 110" site specific wall drawing, Light/White Investigation No. 1 (see installation slide show below). This piece — incorporating latex paint, the gallery lighting, marker, acrylic paint, and a spherical map pin — was created over the course of a week in response to the work on either side.

  In Substance

View installation slide show




Industrial Strength
three person exhibit curated by Kathleen Bitetti

January 10 – February 15, 2007

Lillian Immig Gallery
Emmanuel College
Boston, MA

"...these three artists represent some of the most interesting conceptual reasoning as to why they are using these materials. They are masterfully using these materials to comment on and question such relevant issues as gender roles, contemporary popular culture, war, the unrelenting discussion of craft vs. fine art, and/or the age old question of what differentiates a 2-d work from a 3-d work. Geometry and geometric shapes, as well as references to history of abstraction, are also present in all of their works.Mary Bucci McCoy, who works primarily in 2-d, is showing selections from two series of work: her 2006 Roundelay series and her 2005 Oblique Derivation series. ... Bucci McCoy’s minimal based-works celebrate the MDF material and she brilliantly uses the material’s organic color as the dominant color..."

—excerpt from exhibition essay by curator Kathleen Bitetti